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Opposites attract with irresistible force in this fresh, funny, feel-good comedy about two mismatched teens who scheme to make their ex's jealous. Melissa Joan Hart (TV's "Sabrina the Teenage Witch") is "picture perfect" (CBS-TV, Fort Worth) as a peppy preppy who performs the ultimate makeover on her scruffy next-door neighbor (Adrian Grenier) - and discovers this former "frog" was a prince all along! With a screenplay by Rob Thomas (Dawson's Creek), a cast featuring today's hottest young stars, plus the smash hit songs "Crazy" (Britney Spears), and "I Want It That Way" (Backstreet Boys), "Drive Me Crazy" is "worth celebrating!" (Detroit Free Press)This conflicted teen comedy can't decide what it wants! to be. Is
Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's
Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from
The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but
Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any valu! e. But as the plot unfolds, a few barbed twists undercut the g! ood chee r, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes
Drive Me Crazy worth looking at now.
--Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is
Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's
Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from
The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce j! ealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but
Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes
Drive Me Crazy worth looking at now.
--Bret FetzerDisc 1: BUFFY THE VAMPIRE SLAYER (MOVIE) Disc 2: DRIVE ME CRAZYThis conflicted teen comedy can't decide what it wants to be. Is
Drive Me Crazy a mainstream piffle about! a popular girl who turns her grungy next-door neighbor into a! dream d ate? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's
Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from
The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but
Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. The! se themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes
Drive Me Crazy worth looking at now.
--Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is
Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's
Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from
The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. ! Teen flicks always make things too glossy and upscale, but
! Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes
Drive Me Crazy worth looking at now.
--Bret FetzerAn irresistible cast of Hollywood's young faces star in this fun, sexy comedy hit about the power of attraction and the pressures of popularity! Stung when his bombshell girlfriend abruptly dumps him for a TV celebrity, big man on campus Zack Siler (Freddie Prinze Jr., SCOOBY-DOO, BOYS AND GIRLS, DOWN T! O YOU) wagers with a classmate he can quickly turn any girl -- even the school's biggest geek, Laney Boggs (Rachel Leigh Cook, TEXAS RANGERS, JOSIE AND THE PUSSYCATS) -- into the prom queen! He wasn't, however, betting on falling in love! After an amazing makeover, Laney is transformed from nobody to knockout ... but when she learns of Zack's deception, it could ruin any chance he had with his newfound dream girl! With a hip, modern soundtrack and a hilarious story that audiences loved, this great comedy is all that ... and more!This charming update of
Pygmalion (by way of the John Hughes oeuvre, most notably
Pretty in Pink) rode the crest of the late-'90s wave of immensely popular teen films (
Varsity Blues, etc.), thanks primarily to the immense charisma of its two leads, Freddie Prinze Jr. and Rachael Leigh Cook. When school star Zach (Prinze)--who's a jock, smart,
and popular--gets dumped by vacuous Taylor (Jodi Lyn O'Keefe) after spring brea! k, he's left dateless for the all-important prom. With a littl! e goadin g from his less-than-sensitive best friend (hunky Paul Walker), he bets that he can make any girl into prom queen a mere eight weeks before the dance. The object of their wager: misfit Laney (Cook), a gawky art student too busy with her paintings and taking care of her brother and dad to worry about school politics. However, after a couple looks from Zach, and a few dates that reveal him to be a hunk of substance, Laney's armor begins to melt--and her stock at school soars. Soon enough, she's the lone candidate for prom queen against the bitchy and relentless Taylor.
What elevates She's All That above the realm of standard teen fare is its mixture of good-natured fairy-tale romance and surprisingly clear-eyed view of high school social strata. The lines of class are demarcated as clearly as if in a Jane Austen novel, but the satire is equally deflating and affectionate. Sure, high school could be bad sometimes, but it was lots of fun too; this is a movie good-nat! ured enough to take time out for an extended hip-hop dance number at the prom. Director Robert Iscove (who also helmed the Brandy-starring TV adaptation of Cinderella) has also assembled a great young cast, including a scene-stealing Anna Paquin as Zach's no-nonsense sister, Kieran Culkin as Laney's geeky brother, and a stupidly goofy Matthew Lillard as a Real World cast member whose arrival shakes things up a little too much. And amidst all the comedy and prom drama, you'd be hard-pressed to find two teen stars as talented, attractive, and appealing as Prinze and Cook. Prinze is an approachable and sensitive jock, though it's Cook who's the true star, investing Laney with confidence, humor, and heart. Like Zach, you'll be hard-pressed not to fall in love with her. By the story's end, both Cook and the film will have charmed the socks off of you. --Mark EnglehartThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grun! gy next- door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on schoo! l spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam t! urns into something sparky. Teen flicks always make things too! glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerIn Drive Me Crazy, Kate, Sierra, and Alexis kick off the summer with an unforgettable road trip. But when Adam, Alexis’s cousin, happens to tag along, it could mean jeopardy for the all-girls trip. Adam turns out okay, and Kate even takes a liking to him. So w! hat does this mean for Lucas, the boy Kate was driving out to see? In Love Off-Limits, Natalie has the perfect boyfriend, or so everyone thinks. But Natalie knows she wants more. When she discovers that more equals Matt, her boyfriend’s best friend, Natalie finds herself in quite the dilemma.
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