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What elevates She's All That above the realm of standard teen fare is its mixture of good-natured fairy-tale romance and surprisingly clear-eyed view of high school social strata. The lines of class are demarcated as clearly as if in a Jane Austen novel, but the satire is equally deflating and affectionate. Sure, high school could be bad sometimes, but it was lots of fun too; this is a movie good-nat! ured enough to take time out for an extended hip-hop dance number at the prom. Director Robert Iscove (who also helmed the Brandy-starring TV adaptation of Cinderella) has also assembled a great young cast, including a scene-stealing Anna Paquin as Zach's no-nonsense sister, Kieran Culkin as Laney's geeky brother, and a stupidly goofy Matthew Lillard as a Real World cast member whose arrival shakes things up a little too much. And amidst all the comedy and prom drama, you'd be hard-pressed to find two teen stars as talented, attractive, and appealing as Prinze and Cook. Prinze is an approachable and sensitive jock, though it's Cook who's the true star, investing Laney with confidence, humor, and heart. Like Zach, you'll be hard-pressed not to fall in love with her. By the story's end, both Cook and the film will have charmed the socks off of you. --Mark EnglehartThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy! I> a mainstream piffle about a popular girl who turns her grun! gy next- door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on schoo! l spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam t! urns into something sparky. Teen flicks always make things too! glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerIn Drive Me Crazy, Kate, Sierra, and Alexis kick off the summer with an unforgettable road trip. But when Adam, Alexisâs cousin, happens to tag along, it could mean jeopardy for the all-girls trip. Adam turns out okay, and Kate even takes a liking to him. So w! hat does this mean for Lucas, the boy Kate was driving out to see? In Love Off-Limits, Natalie has the perfect boyfriend, or so everyone thinks. But Natalie knows she wants more. When she discovers that more equals Matt, her boyfriendâs best friend, Natalie finds herself in quite the dilemma.
From the creators of CARS and TOY STORY 3 comes a new, laugh-out-loud, heartwarming adventure geared for the entire family. Star race car Lightning McQueen (Owen Wilson) and the incomparable tow truck Mater (Larry the Cable Guy) take their friendship on the road from Radiator Springs to exciting new places when they head overseas to compete in the first-ever World Grand Prix!
More Pixar Movies | More Cars | Cars Toys |
| | | | | ||
| Title | Cars 2 DVD | Cars 2 (Two-Disc Blu-ray / DVD Combo in Blu-ray Packaging) | Cars 2 (Two-Disc Blu-ray / DVD Combo in DVD Packaging) | Cars 2 (Five-Disc Combo: Blu-ray 3D / Blu-ray / DVD / Digital Copy) | Cars Director's Collection ( 11-Disc Blu-ray 3D / Blu-ray / DVD / Digital Copy) |
| Release Date | 11/1/2011 | 11/1/2011 | 11/1/2011 | 11/1/2011 | 11/1/2011 |
| Format/ Number of discs | One Disc: DVD | Two Discs: Blu-ray + DVD | Two Discs: Blu-ray + DVD | Five Discs: Blu-ray 3D + Blu-ray + DVD + Digital Copy | 11 Disc Total Cars includes: Blu-ray + DVD + Digital Copy Cars Toon: Mater's Tall Tales includes: Blu-ray + DVD + Digital Copy Cars 2 includes: B! lu-ray 3D + Blu-ray + BD |
| Blu-ray 3D | No | No | No | Yes | Yes (On Cars 2 Only) |
| Blu-ray | No | Yes | Yes | Yes | Yes |
| DVD | Yes | Yes | Yes | Yes | Yes |
| Digital Copy | No | No | No | Yes | Yes |
| Bonus Features (Bonus Material Not Rated) | Theatrical Short - Toy Story Toon: Hawaiian Vacation All-New, Exclusive Cars Toon: Air Mater Director Commentary *Not available in all territories. Features subject to change | Same as DVD *Not availab! le in all territories. Features subject to change | Same as DVD *Not available in all territories. Features subject to change. | Same as DVD plus: Nuts and Bolts: A Sneak Peek of Cars Land    World Tour â" Interactive Map Deleted Scenes Short Documentaries Set Explorations from the Different Cities in the Movie *Not available in all territories. Features subject to change. | Same as DVD plus: Nuts and Bolts: A Sneak Peek of Cars Land    World Tour â" Interactive Map Deleted Scenes Short Documentaries Set Explorations from the Different Cities in the Movie And More! *Not available in all territories. Features sub! ject to change. |
Through all their adventures, the bond of the Sisterhood has remained steadfast and unshakeable. But for the first time, the Sisterhood verges on falling apart when the ladies have to choose between two difficult assignments. The f! irst job guarantees a huge paycheck; the second offers a presidential pardon--and a chance to finally emerge from hiding.
For the sake of their union, the gals put aside their differences and focus on a new mission. A mysterious Washington, D.C. political operative needs them to track down a computer hacker who has stolen a highly classified list of fundraisers' names. With a presidential election looming, the girls soon realize the job is a lot more dangerous than they had anticipated. Will their client come through with his promise? And can the ladies stop fighting--and stay alive--long enough to see it happen?
"Revenge is a dish best served with cloth napkins and floral centerpieces. . .fast-paced. . .puts poetic justice first."--Publishers Weekly on Payback
"An unforgettable story."--Rendezvous on Weekend Warriors
Thro! ugh all their adventures, the bond of the Sisterhood has remained steadfast and unshakeable. But for the first time, the Sisterhood verges on falling apart when the ladies have to choose between two difficult assignments. The first job guarantees a huge paycheck; the second offers a presidential pardon--and a chance to finally emerge from hiding.
For the sake of their union, the gals put aside their differences and focus on a new mission. A mysterious Washington, D.C. political operative needs them to track down a computer hacker who has stolen a highly classified list of fundraisers' names. With a presidential election looming, the girls soon realize the job is a lot more dangerous than they had anticipated. Will their client come through with his promise? And can the ladies stop fighting--and stay alive--long enough to see it happen?
"Revenge is a dish best served with cloth napkins and flor! al centerpieces. . .fast-paced. . .puts poetic justice first."--Publishers Weekly on Payback
"An unforgettable story."--Rendezvous on Weekend Warriors
Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washingtonâ¦but how? When? Where? In the scramble for answers, one thing is clear: Collateral Damage is a ticking time bomb of suspense.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's! bombing in a crowded L.A. pavilion. Despite intense scrutiny ! by FBI a nd CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon
The setting may be Iraq in 2004, but it could just as well be Thermopylae; The Hurt Locker is no "Iraq War movie." Bigelow and screenwriter Mark Boal--who did time as a journalist embed with an EOD unit--align themselves with neither supporters nor opponents of the U.S. involvement. There's no politics here. War is just the ! job the characters in the movie do. One in particular, the sup! remely r esourceful staff sergeant played by Jeremy Renner, is addicted to the almost nonstop adrenaline rush and the opportunity to express his esoteric, life-on-the-edge genius. The hurt locker of the title is a box he keeps under his bunk, filled with bomb parts and other signatory memorabilia of "things that could have killed me." That none of it has killed him so far is no real consolation. In this movie, you never know who's going to go and when; even high-profile talent (we won't name names here) is no guarantee. But one thing can be guaranteed, and that is that almost every sequence in the movie becomes a riveting, often fiercely enigmatic set piece. This is Kathryn Bigelow's best film since 1987's Near Dark. It could also be the best film of 2009. --Richard T. Jameson
Luce would die for Daniel.
And she has. Over and over again. Throughout time, Luce and Daniel have found each other, only to be painfully torn apart: Luce dead, Daniel left broken and alone. But perhaps it doesnât need to be that way. . . .
Luce is certain that somethingâ"or someoneâ"in a past life can help her in her present one. So she begins the most important journey of this lifetime . . . going back eternities! to witness firsthand her romances with Daniel . . . and final! ly unloc k the key to making their love last.
Cam and the legions of angels and Outcasts are desperate to catch Luce, but none are as frantic as Daniel. He chases Luce through their shared pasts, terrified of what might happen if she rewrites history.
Because their romance for the ages could go up in flames . . . forever.
Sweeping across centuries, Passion is the third novel in the unforgettably epic Fallen series.
Paul Wesley (The Vampire Diaries) stars as Aaron Corbett, a high school jock with a promising future. But on his 18th birthday, his life forever changes when his incredible powers emerge, revealing the terrifying truth of his identity. As The Redeemer, a half-angel, half-man who can return fallen angels to heaven, Aaron holds the entire world's destiny in his young hands. He must battle warrior seraphs and confront the fallen angel who has sparked his nightmares (Bryan Cranston, Breaking Bad). But can he save himself and t! he girl he loves? Based on the bestselling book series, Fallen soars to new levels in the battle between good and evil.
Amazon.com: Luce and Daniel's story is very romantic. What inspired you to write a love story between a human and an angel?
Lauren Kate: Iâve been writing love stories for as long as Iâve been writing. To me, the most complicated romances make the most interesting narratives, so Iâm always looking for new obstacles to throw in my loversâ paths. When I was getting my masters degree in fiction, I was studying biblical narratives and cam! e across a line in Genesis (6:1-4), which describes a group of! angels who fell in love with mortal women. Putting this reference together with a mention in Isaiah and another in Palsm 82, biblical scholars conclude that these angels were actually cast out of Heaven for their lust. Which means--you could say--that these angels chose love over Heaven. I found this to be an endlessly interesting set up for an incredibly complicated romance. I started thinking about what kind of mortal girl it would take to attract an angelâs attention. And what it would be like for her to find herself in this position. What kind of baggage would an angel have? What would her very over-protective parents think? From there, this whole world unfurled in my head with fallen angels, demons, reincarnation, and the war between good and evil all battling for a piece of the action.
Amazon.com: We've been wondering about the "mechanics" of Luce and Daniel's story (for lack of a better word). Does Daniel age? Or does he stay seventeen forever (while Luc! e grows older)? And with that said, what does he do while Luce is growing up in each of her lives? What was he doing before he met Luce in this life?
Kate: Whatâs important about angels is not their bodies but their souls. In their purest forms, theyâre actually genderless, but for my story to work--for the angels to come down to earth and interact with mortals--they all assume human bodies and attach themselves to human genders. Daniel is eternal and will live on forever, but the body Luce sees him in (gorgeous as it is) is really just a shell for the soul that she loves. Thereâs not the feeling of a ticking clock in the background as there might be with, say, a vampire story. Right now Iâm writing Passion, the prequel where weâll see Luce and Daniel in a dozen other lifetimes, so Iâm exploring a lot of these mechanics (a great word for it, by the way) between the angelâs bodies and souls.
The way Daniel occupies himself ! in between Luces varies from life to life. His soul is least a! t rest j ust after sheâs died, before sheâs incarnated into another life--when she is âin between.â During her lives, even when he isnât with her, he is always aware of her age, what sheâs going through, how sheâs doing. He has a sort of internal Lucinda clock. Sometimes he meets her as a child, sometimes he tries to stay away from her as long as possible, to give her as much of a life outside of him as he can. In the years leading up to the life where they meet at Sword and Cross, Daniel was living on Skid Row in Los Angeles.
Amazon.com: Fallen and Torment talk a lot about the history of Heaven and Hell, the different classes of Angels, and the rules of human-angel interaction. Obviously these themes are explored heavily in religious texts, but were there other sources that informed your story?
Kate:Itâs interesting because there is actually very little in the Bible about angels--a few mentions in the Old Testament,! a few more in the new. And the mentions that we do have are often vague or contradictory. Most of what we think of when we think of angels today comes from secular or cultural contexts. Seventy-five percent of it might have come from Milton alone. I worked with a biblical scholar at UC Davis who pointed me toward some apocryphal texts (books written during the same as the bible, but which were not included in the book when the canon was closed). Books like Enoch 1-3 and the Dead Sea Scrolls are chock full of angel references. I also read a trilogy on Satan and a book called the A History of Heaven both by Jeffrey Burton Russell, as well as a great book by Harold Bloom called Omens of the Millennium.
I got so engrossed in all of the research I did for Fallen that I had a hard time knowing when to stop reading and when to start writing. I had to realize that it was okay for me to pick and choose things from various accounts, to look p! ast contradictions, and to come up with my own angel mythology! . Thatâ s what Milton did, after all!
Amazon.com: What is Cam's deal? We're not convinced that he's totally evil--in Fallen, he seemed to be trying to protect Luce by keeping her away from Daniel, and in Torment he and Daniel reach a mysterious truce, again to protect Luce. Will we be seeing more of him in book 3?
Kate:Speaking of Milton, isnât it fascinating that Satan is the most interesting character in Paradise Lost? From the start of this series, I have wanted to test the boundaries between what is âgoodâ and what is âevil.â How and when do those terms get applied? Are they black and white or is there some flexibility along the spectrum? Obviously itâs much more interesting if Heaven and Hell/good and evil work as binaries: opposites that orbit each other and are pulled toward each other with a mutual gravitation. We see that at the end of Fallen and in Torment with Daniel and Camâs truc! e. The idea that good and evil rely on each other is as old as the oldest dualistic religion, Zoroastrianism (on whose shoulders both Judaism and Christianity stood).
So yes, there is more to Cam than pure evil! (Especially since his character--the charming side of his character anyway--was based loosely on my husband.) Weâll see a lot of him in Passion and will even begin to understand how he got where he is today.
Amazon.com: Can you tell us a little bit about book 3? Will we find out more about Luce and Daniel's past lives?
Kate:Passion is going to be the craziest, coolest book Iâve ever written! Iâm halfway through the first draft right now and it is so rewarding to finally get to delve into Luce and Danielâs past lives together. The history these two share is the stuff of epics, and I am learning so many new things about them as I write. For any reader out there feeling tortured by the teasing hi! nts of so many thrilling past lives: Passion is your ! book! Ev erything--well, almost everything--will be illuminated.
The Fallen quartet, now published for the first time in two action-packed bind-ups, chronicles an epic struggle, where the fate of the world rests on the outcome of one teenâs monumental quest. The Fallen 1
