- Description: High Quality real photograph printed on Fuji Paper.
- Size: 20X24 inches
Four months after pregnant Sara loses her husband in a horrific auto accident, she is visited on Christmas Eve by a mysterious madwoman. Alone and desperate to save her unborn child, Sara fights to stay alive as each of her potential rescuers die at the womans sadistic hands.Hailed by several critics as the first great French horror film this millennium,
Inside opens on a gory note and stays true to the bloodfest throughout. But rather than using splatter-gore for comedic effect, as did young directing team Julien Maury and Alexandre Bustillo's predecessor, Hershell Gordon-Lewis, this duo timed their gore to build tragic suspense, scene after disgusting scene. The strength of
Inside's plot is its simplicity, though the film is slow at first. Pregnant photojournalist, Sarah Scaragato (Alys! son Paradis), has just lost her husband in a fatal car accident and is in recovery when her baby is due on Christmas Eve, in fact. Morose, she rejects friend and family visits, opting to stay home. A bewitched predator, played by Beatrice Dalle, senses Sarah's vulnerability and seizes upon it like a spider capturing prey in its web. The tale, woven around maternal psychosis, reveals Dalle's haunting preoccupation with stealing Scaragato's unborn baby. Each character who enters Sarah's house, the "war zone" as one doomed policeman puts it, encounters the wrath of two women fighting with mirror shards, knitting needles, scissors, hurled kitchen appliances, and even a homemade bayonette. Like the best horror thrillers about motherhood---
Rosemary's Baby,
Don't Look Now,
Alien---
Inside seizes ample symbolic opportunities to exhibit the primal obsession women have with babies. Even better,
Inside invites feminist critique as do other female-cent! ric horror films such as
Ginger Snaps, whose plots not ! only inc lude strong, vengeful female victims, but also sympathetic, criminal femme fatales. An entertaining "Making of
Inside" featurette follows, revealing makeup and special effects techniques.
Inside is for a specific audience; as scenes get redder and wetter, the squeamish may find it sickening---beware and enjoy. â€"
Trinie DaltonSex and sunlight are on ample display in
Betty Blue, director Jean-Jacques Beineix's passionate look at mad love. (Every French director is contractually required to make at least one movie about l'amour fou.) It begins at the seashore, where handyman and failed novelist Zorg (Jean-Hugues Anglade) has his life electrified by Betty, a woman whose sense of abandon frequently tips over into the pathological. This was the role that introduced gap-toothed, voluptuous Beatrice Dalle to the world, and neither Dalle nor the world has ever quite recovered. Traces of Beineix's precious
Diva are still present, though this is a dar! ker and more memorable ride, especially in the three-hour "version integrale" that restores an hour of footage. Its copious nude scenes are a drawing card, but stick around for the age-old alchemy of life translated into art. Gabriel Yared's score is a favorite of movie-soundtrack mavens, especially its haunting piano theme.
--Robert HortonZorg lives a quiet and peaceful life, working diligently and writing in his spare time. Until Betty walks into his life, a young woman who is as beautiful as she is wild and unpredictable. When Betty's wild manners start to get out of control, Zorg is forced to watch the woman he loves slowly go insane. Featuring French Superstars Jean-Hugues Anglade, Béatrice Dalle. From Jean-Jacques Beineix, the acclaimed director of the cult art house favorite, Diva. The sexy cult classic is now available from the first time on DVD and it's the unrated director's cut! Academy Award® nomination for Best Foreign Language Film.Sex and sunlight ar! e on ample display in
Betty Blue, director Jean-Jacques! Beineix 's passionate look at mad love. (Every French director is contractually required to make at least one movie about l'amour fou.) It begins at the seashore, where handyman and failed novelist Zorg (Jean-Hugues Anglade) has his life electrified by Betty, a woman whose sense of abandon frequently tips over into the pathological. This was the role that introduced gap-toothed, voluptuous Beatrice Dalle to the world, and neither Dalle nor the world has ever quite recovered. Traces of Beineix's precious
Diva are still present, though this is a darker and more memorable ride, especially in the three-hour "version integrale" that restores an hour of footage. Its copious nude scenes are a drawing card, but stick around for the age-old alchemy of life translated into art. Gabriel Yared's score is a favorite of movie-soundtrack mavens, especially its haunting piano theme.
--Robert HortonPlease note that the content of this book primarily consists of articles available from ! Wikipedia or other free sources online. Béatrice Dalle, de son vrai nom Béatrice Françoise Odona Cabarrou, née le 19 décembre 1964 à Brest, est une actrice française. À quatorze ans, Béatrice Dalle quitte le Mans, ville où elle a grandi, pour rejoindre Paris. Devenue une icône anonyme du milieu punk, elle est repérée par un photographe qui la fait poser pour la une du magazine Photo.Beatrice Dalle as Betty in 37*2 le matin: At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you ar! e not fully satisfied with any print from Moviestore we will g! ladly re fund your money!
12:28 AM
Blog Fasion
