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"Infinitely moving and powerful, just dead-on right, and absolutely original."â"Joan Didion
Since its publication in 1996, Holy Land has become an American classic. In "quick, translucent prose" (Michiko Kakutani, New York Times) that is at once lyrical and unsentimental, D. J. Waldie recounts growing up in Lakewood, California, a prototypical post-World War II suburb. Laid out in 316 sec! tions as carefully measured as a grid of tract houses, Holy Land is by turns touching, eerie, funny, and encyclopedic in its handling of what was gained and lost when thousands of blue-collar families were thrown together in the suburbs of the 1950s. An intensely realized and wholly original memoir about the way in which a place can shape a life, Holy Land; is ultimately about the resonance of choicesâ"how wide a street should be, what to name a parkâ"and the hopes that are realized in the habits of everyday life. 20 illustrations and a new introduction for this paperback edition. 20 illustrationsWelcome to Lakewood, California, the world's largest suburb and the subject of an oddly mesmerizing account of its creation by D. J. Waldie. Waldie describes how bean fields were drawn up, sectioned off and divided up--leaving tracts for small houses of similar design. The author changes while the land around him does, in a story of how people make places and, more so! , places make people.
Everything associated with hard rock happened to Black Sabbath first: the drugs, the debauchery, the drinking, the dungeons, the pressure, the pain, the conquests, the company men, the contracts, the combustible drummer, the critics, the comebacks, the singers, the Stonehenge set, the! music, the money, the madness, the metal.
Nathan Abercrombie is getting used to his rotten life as a half-dead zombie. The good thing is he doesnât feel any pain. The bad thing is his body canât heal, so he has to be really careful not to break anything. But thatâs hard to do when his wrestling-obsessed gym teacher, Mr. Lomux, matches him up with Rodney the bully, whoâs looking for any excuse to break his bones. Then one day, Nathan is approached by the secret organization B.U.M.â"aka the Bureau of Useful Misadventuresâ"which offers him a cure in exchange for his help. Nathan jumps at the chance to become the worldâs first zombie spy, but soon discovers that B.U.M. isnât quite what it seems. Can Nathan trust them?
#1 NEW YORK TIMES BESTSELLER
His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girlâs savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.
One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soot! hing words and a gentle touch. Just when it seems he can't be! found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.
Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act! as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1Â NEW YORK TIMESÂ BESTSELLER
His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girlâs savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.The Horse Whisperer is a story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear up! on reading the touching tale.
One morning while teenage ! Grace Ma clean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a gentle touch. Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married ! women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.
Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1Â NEW YORK TIMESÂ ! BESTSELLER
His name is Tom Booker. His voice can ca! lm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girlâs savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.Composing music for a Robert Redford movie is a good thing. Ordinary People made Pachelbel's Canon in D a mainstream hit. The Milagro Beanfield War won Dave Grusin an Oscar for his charming score, and A River Runs Through It nabbed a nomination for Mark Isham's popular themes. Thomas Newman's score for Redford's adaptation of Nicholas Evans's bestseller relates well to the leisurely paced, nearly three-hour horse drama: it's never complicated. The rhythms of Big Sky country are introduced in a warble of strings in Newman's score and never overstay their welcome. Newman's dexterity in b! uilding various layers is more apparent in his scores for The Player and The People Vs. Larry Flynt, but those are more acidic movies (and scores). Most of the film's country-music sting originates with the songs that are available on a separate soundtrack album. There's more fluidity on this CD and, at nearly an hour of music, the disc lets Newman's score ease over you. --Doug ThomasAcademy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth ranc! her (Redford), she discovers his extraordinary gift with anima! ls also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's sought out by a fast-lane New York ! magazine editor (Kristin Scott Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon
Conceived as a game-by-game journal, The Final Season is filled with baseball. Stanton steps up with graceful musings on the game, the park, the Tigers and their history, and, most spiritedly, a pair of living legends--former right fielder Al Kaline and announcer Ernie Harwell. But it's Stanton's thoughts about family--his own family and how the game and the ballpark have connected generations--that truly resonate. In his prose, this lovely old rust bucket of a ballpark, this repository of so many memories, becomes metaphor.
Fittingly, Stanton takes his father to the final game. "I've noticed something today," he writes of the e! xperience. "It's not the seventy- and eighty-year-old men who are wiping their eyes. It's the generation that came after them. And we're hurting not only for the loss of this beautiful place, but for the loss of our fathers and grandfathers--belatedly or prematurely. The closing of this park forces us to confront their mortality, and when we confront their mortality we must confront our own.... A little bit of us dies when something like this, something so tied to our lives, disappears." --Jeff SilvermanThree years ago, Kate rejected Edmund, Lord Shuttleworth's impassioned marriage proposal in no uncertain terms. Now he's back, and it's Kate's final season. She needs a straightforward, paper-only marriage, yet her feelings for Edmund are anything but straightforward!
Shocked by Edmund's reappearance at a lavish house party, Kate flees to the private study to compose herself. But her self-control doesn't last for longâ¦. Caught in a compromising ! situation, the man she can't possibly marry is suddenly announ! cing the ir betrothal to the ton!Three years ago, Kate rejected Edmund, Lord Shuttleworth's impassioned marriage proposal in no uncertain terms. Now he's back, and it's Kate's final season. She needs a straightforward, paper-only marriage, yet her feelings for Edmund are anything but straightforward!
Shocked by Edmund's reappearance at a lavish house party, Kate flees to the private study to compose herself. But her self-control doesn't last for longâ¦. Caught in a compromising situation, the man she can't possibly marry is suddenly announcing their betrothal to the ton!Unresolved romances and a long-simmering film project finally bear fruit in the sixth season of The L Word®. Dreams come true and new life paths are forged for many of the series' characters this year, but not without the The L Word's trademark provocative storylines, sizzling sexuality, and heart-rending emotion.Let the music play and complete your collection with season 4 of FRAGGLE ROCK! , featuring the final 24 episodes, including the touching series finale. Enjoy the Fraggle-filled musical fun with the cantankerous Gorgs, industrious Doozers, and the silly creatures from " Outer Spaceâ â" Doc and Sprocket â" in this 5-disc set! Experience exclusive bonus features such as behind-the-scenes interviews with the puppeteers, take a peek inside the final day of shooting, and discover the evolution of the Fragglesâ beloved toe-tappinâ theme song! So save your worries for another day, because you can never leave the magic of Fraggle Rock!2008 Yankee Stadium Final Season Game Used dirt in keychain (MLB Authenticated)
