Saturday, December 3, 2011

The Emperor's New Groove - The New Groove Edition

  • Hilarious comedy rules in Disney's THE EMPEROR'S NEW GROOVE! There's something for everyone in this hip, funny movie with its dynamo cast, distinctive style, and great music -- featuring the Academy Award(R)-nominated song, "My Funny Friend And Me" (2000, Best Original Song). Emperor Kuzco (voiced by David Spade) is turned into a llama by his devious advisor, Yzma (Eartha Kitt), and he
The complete story of the newest Disney animated film, plus an eight-page full-color insert. It's an un-put-downable, laugh-out-loud page-turner for middle graders.If you liked ALADDIN, you'll love Disney's THE EMPEROR'S NEW GROOVE, where outrageous comedy rules! Audiences and critics alike raved about this hilarious animated adventure. "Ebert & Roeper And The Movies" gave it "Two Thumbs Up." Faster than you can say "Boom, baby," arrogant Emperor Kuzco is turned into a llama by his devious advisor, Yzma, and he! r hunky henchman, Kronk, who want to rid the kingdom of this beast of burden. Now the ruler who once had it all must form an unlikely alliance with a pleasant peasant named Pacha. Together, Kuzco and Pacha must overcome their differences as they embark on a hilarious, "groovy" adventure that will have you howling with laughter.Originally developed as an epic called Kingdom of the Sun, The Emperor's New Groove lost scale and most of Sting's song score (some of which can be heard on the soundtrack) on its way to the screen. The end result is the lightest Disney film in many a moon, a joyous romp akin to Aladdin in its quotient of laughs for kids and adults. The original story centers on the spoiled teenage emperor Kuzco (David Spade), who enjoys getting the best of his Aztecan subjects. When he fires Yzma (Eartha Kitt), his evil sorceress, she seeks revenge and turns Kuzco into a llama with the help of her hunk of the month, a lunk named Kronk (Patrick Wa! rburton). Alone in the jungle, the talking llama is befriended! by Pach a (John Goodman), who has just been told to vacate his pastoral home by the human Kuzco. What's an ego to do? That's pretty much the story and the characters--simple, direct, fun--a Disney film on a diet. For any fan of the acidic humor of Spade, this is essential viewing. As narrator of his tale, Kuzco uses a sarcastic tone to keep the story jumping with plenty of fun asides (he even "stops" the film at one point to make sure you know the story is about him). Even better is character actor Warburton (Elaine's stuck-up boyfriend on Seinfeld), who steals every scene as the dim-witted, but oh-so-likable Kronk. There's even a delicious Tom Jones number that starts the film off with a bang. --Doug Thomas

Fighter

  • FIGHTER (DVD MOVIE)
Academy Award® Nominees Mark Wahlberg (The Departed), Christian Bale (The Dark Knight) and Amy Adams (Doubt) star in this “remarkable†â€ film. Based on a true story, two brothers, against all the odds, come together to train for a historic title bout that has the power to reunite their fractured family and give their hard-luck town what it's been waiting for: pride. Micky Ward (Wahlberg) is a struggling boxer long overshadowed by his older brother and trainer, Dicky (Bale), a local legend battling his own demons. Their explosive relationship threatens to take them both down - but the bond of blood may be their only chance for redemption. Joe Morgenstern, THE WALL STREET JOURNAL It would be a mistake to confuse The Fighter with the story of Mark Wahlberg, though the similarities are striking. Completely convincing as a boxer, Wahlberg plays welterweight Micky W! ard, who grew up in working-class Massachusetts. Like the actor-producer, he had eight siblings, one more famous than the rest. Ward's half-brother, Dicky Eklund (a gaunt, crazy-eyed Christian Bale), turned to boxing first, just as Mark's brother, Donnie, preceded him as a performer (first by singing, then by acting). The similarities end there: Dicky, once known as "The Pride of Lowell," traded his promising pugilistic career for a crack pipe (Sugar Ray Leonard cameos as his best-known opponent). As David O. Russell's film begins, the smothering Alice (Frozen River's Melissa Leo) manages Micky's career, while the unpredictable Dicky attempts to train him. Despite his talent in the ring, though, Micky can't catch a break until he meets Charlene (Amy Adams), a spitfire of a bartender who encourages him to stand up for himself. When Dicky ends up in prison, and Micky takes on a more experienced manager, his fortunes start to improve, but it isn't in his nature to aband! on the people who raised him, so he attempts to unite the vari! ous fact ions in his life before his shot at the world championship slips away. Though Russell paints Micky's mother, brother, and sisters with a broad brush, Wahlberg anchors the scenario with his patient, level-headed performance. Rescue Me's Jack McGee also deserves notice as his diplomatic dad, George. --Kathleen C. FennessyAcademy Award® Nominees Mark Wahlberg (The Departed), Christian Bale (The Dark Knight) and Amy Adams (Doubt) star in this “remarkable” film*. Based on a true story, two brothers, against all the odds, come together to train for a historic title bout that has the power to reunite their fractured family and give their hard-luck town what it's been waiting for: pride. Micky Ward (Wahlberg) is a struggling boxer long overshadowed by his older brother and trainer, Dicky (Bale), a local legend battling his own demons. Their explosive relationship threatens to take them both down - but the bond of blood may be their only chance for redemption. *Joe! Morgenstern, THE WALL STREET JOURNAL It would be a mistake to confuse The Fighter with the story of Mark Wahlberg, though the similarities are striking. Completely convincing as a boxer, Wahlberg plays welterweight Micky Ward, who grew up in working-class Massachusetts. Like the actor-producer, he had eight siblings, one more famous than the rest. Ward's half-brother, Dicky Eklund (a gaunt, crazy-eyed Christian Bale), turned to boxing first, just as Mark's brother, Donnie, preceded him as a performer (first by singing, then by acting). The similarities end there: Dicky, once known as "The Pride of Lowell," traded his promising pugilistic career for a crack pipe (Sugar Ray Leonard cameos as his best-known opponent). As David O. Russell's film begins, the smothering Alice (Frozen River's Melissa Leo) manages Micky's career, while the unpredictable Dicky attempts to train him. Despite his talent in the ring, though, Micky can't catch a break until he meets Charl! ene (Amy Adams), a spitfire of a bartender who encourages him ! to stand up for himself. When Dicky ends up in prison, and Micky takes on a more experienced manager, his fortunes start to improve, but it isn't in his nature to abandon the people who raised him, so he attempts to unite the various factions in his life before his shot at the world championship slips away. Though Russell paints Micky's mother, brother, and sisters with a broad brush, Wahlberg anchors the scenario with his patient, level-headed performance. Rescue Me's Jack McGee also deserves notice as his diplomatic dad, George. --Kathleen C. FennessyThe female karate kid.

Newcomer Semra Turan delivers a star-making performance as Aicha, a Copenhagen high school senior who dreams of becoming a champion mixed martial arts fighter. But when her conservative Turkish parents demand she go to medical school, Aicha instead begins secretly training at the local academy of Sifu (Xian Gao of CROUCHING TIGER, HIDDEN DRAGON fame). In a brutal sport where men make the rul! es, can a strong-willed woman battle her way to respect? And in a world where cultures clash as hard as any combat, will she survive long enough to decide what s worth fighting for? Cyron Melville and Sadi Tekelioglu co-star in this explosive drama featuring stunning choreography by Xian Gao that goes far beyond the usual martial arts movie.

Dracula 2000

  • Simon (Miller) is a vampire hunter in training under his apprenticeship.
  • Van Helsing and Simon travel from London to New Orleans to rescue daughter Mary.
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  • All DVDs play perfectly. Photos are of the actual dvd you will receive
The master of modern horror, Wes Craven, presents a riveting adaptation of the chilling classic featuring Jennifer Esposito (SUMMER OF SAM), Omar Epps (IN TOO DEEP), Jonny Lee Miller (TRAINSPOTTING), Vitamin C (GET OVER IT), and Jeri Ryan (STAR TREK: VOYAGER). When a team of techno-savvy thieves breaks into a high-security vault, they don't discover priceless artwork ... they find a crypt that hasn't been opened for 100 years! Suddenly, the ancient terror of Dracula is unleashed in the chaotic 21st century. Free to follow his pursuits of seduction and po! wer, Dracula's first destination is America and the exotic city of New Orleans, a place where he feels right at home. Not far behind, however, is a young vampire hunter (Miller) from London, determined to save a young woman (Justine Waddell) with whom Dracula shares his dark legacy!As a director, Wes Craven has been able to infuse his horror movies with humor and some smart, often genuinely creepy, thrills, even on his lowest-budgeted films. As a producer of horror movies, well, his record has been spotty at best. Craven tapped his longtime editor Patrick Lussier to direct Dracula 2000, and the movie ends up with all the good and bad of "a Wes Craven production." A modern-day update of the Dracula legend, the script has some genuinely good ideas. Christopher Plummer (The Insider) takes a relatively juicy role as Van Helsing, owner of an antiques shop specializing in ancient weapons. He takes exception to how his namesake was portrayed in Bram Stoker's classic! novel, which he's more than happy to tell his assistant (Jonn! y Lee Mi ller, "Sick Boy" from Trainspotting) without telling him the whole story. When Omar Epps leads a band of high-tech criminals to break into Van Helsing's high security vault (thinking that with so much security there's got to be something extremely valuable in there), what they end up stealing is the body of Dracula, who of course awakens from his slumber. When the story shifts to New Orleans, where Van Helsing's estranged daughter is working for the local Virgin Megastore (here metaphor is replaced by product placement), Dracula is drawn to her. The undead start to multiply, and the vampire hunt resumes. Another excellent idea deals with a new origin to Dracula, flashing back to biblical times to explain his aversion to silver and crosses. But there is a downside. Under the inept direction of Lussier the movie is never scary, inspiring instead an occasional feeling of pity for the actors. Overall, this a vampire movie for the mind, not the heart. --Andy Spletzer!

Come Early Morning

  • COME EARLY MORNING FF AND WS (DVD MOVIE)
(Drama/Romance) Lucy is a 30-something woman who keeps waking up with a stiff hangover and a guy she doesn't even want to look at. If coming to grips with why she keeps repeating this pattern isn't enough, Lucy also begins to realize that she needs to get in touch with her familial past and, more importantly, with the person she has become.Come Early Morning comes as a mid-afternoon career correction for Ashley Judd, an actress oft dissed in the years since her fresh, breakout performance in the indie gem Ruby in Paradise. No mystery there: what other lovely and talented woman has appeared in such a string of crummy serial-killer movies? By redemptive contrast, Come Early Morning suggests a de facto sequel to Ruby 13 years down the road. Again Judd limpidly portrays a young Southern woman, Lucy, trying to get free of a debil! itating heritage--dysfunctional family on every side--and find her way to some kind of contentment. Lucy makes more bad decisions than Ruby did. For her, early morning isn't so much a new day as the hour when she faces waking up with one more guy she couldn't care less about. She plans it that way, because commitment is something she flees with grim resolve. But she also knows that the program isn't working for her.

The writing-directing debut of another offbeat actress, Joey Lauren Adams (Chasing Amy), this is a beautifully observed film, free of condescension toward its Arkansas folk, with an appreciative eye for the plain beauties of small-town life and semi-rural roads, and a sharp ear for three-cushion dialogue. "Did I miss Easter?" Lucy's housemate quietly cracks when she finds Lucy dressed for Sunday-go-to-meetin'; Lucy's trying to reconnect with her estranged dad (a magical, almost wordless performance by the wonderful Scott Wilson), who's started attendi! ng "a new holy-roller church." She also meets a newcomer (Jeff! rey Dono van, excellent) who ought to be Mr. Right ... but nothing quite plays out according to formulaic expectation in this movie--among the most satisfying of 2006, which most people are going to have to discover on DVD. --Richard T. Jameson

Friends With Money

  • Jennifer Aniston
  • Joan Cusack
  • Catherine Keener
  • Frances McDormand
  • Directed by Nicole Holofcener Full Screen 88 minutes
Explores the long friendship between a group of adult women and the changes in their relationships that occur as their financial situations fluctuate.
Genre: Feature Film-Comedy
Rating: R
Release Date: 6-NOV-2007
Media Type: DVDWith her third feature, Friends With Money, writer-director Nicole Holofcener continues to develop one of the most distinctive voices in American independent filmmaking. While not as purely satisfying as her previous films Walking and Talking and Lovely and Amazing, Holofcener's third feature is admirably ambitious in establishing a diverse and dynamic range of relationships among long-time girlfriends, their spouses (for better and worse), and the way in wh! ich money (or lack of it) affects them all. The have-not of the group is Olivia (Jennifer Aniston), a teacher-turned pot-smoking housecleaner in the upscale neighborhoods of West Los Angeles. She's drifting, uncertain of her future both professionally and romantically, while her friends Franny (Joan Cusack), Christine (Catherine Keener), and Jane (Frances McDormand) cope with the relatively enviable problems of wealthy discontentment. They've all got personal crises to resolve, and while Olivia juggles the affections of a likable louse (Scott Caan) and a lonely slob who's secretly rich (Bob Stephenson), Holofcener taps a rich vein of humor and melancholy as these women go about their daily routines, attending benefits, chatting over meals, and doting over Olivia as the "needy one" in their closed circle of friendships. All of this is richly observed and wonderfully acted (with male costars played by Greg Germann, Jason Isaacs, and Simon McBurney), but reaction to Friends! With Money is strictly a matter of personal taste. Holofc! ener isn 't telling a story so much as examining lives in various states of disarray, and she offers no false comforts or simple resolutions. Like life, Friends With Money just continues on its way, with some friends happier than others. There's plenty of truth to be found, if you know where to look.--Jeff ShannonJennifer Aniston, Catherine Keener, Frances McDormand and Joan Cusack star in a film the New York Times hails as "a bittersweet comedy about the drama of being alive . . ." - Manohla Dargis. FRIENDS WITH MONEY - the story of four best friends whose comfortable lives are thrown off balance as the realities of early middle age set in. It paints a painfully hilarious portrait of modern life in the class-sensitive west side of Los Angeles. Written and directed by Nicole Holofcener (Lovely and Amazing), Friends With Money was the Opening Night Selection at the 2006 Sundance Film Festival and is being hailed as "Smart, witty and alert." - Peter T! ravers, Rolling Stone, "Acutely perceptive and slyly quick-witted" - Allison Benedikt, Chicago Tribune.

Good Night, and Good Luck (Widescreen Edition)

  • "Good Night, And, Good Luck" takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Jo
"Good Night, And, Good Luck." takes place during the early days of broadcast journalism in 1950's America. It chronicles the real-life conflict between television newsman Edward R. Murrow and Senator Joseph McCarthy and the House Un-American Activities Committee. With a desire to report the facts and enlighten the public, Murrow, and his dedicated staff - headed by his producer Fred Friendly and Joe Wershba in the CBS newsroom - defy corporate and sponsorship pressures to examine the lies and scar! emongering tactics perpetrated by McCarthy during his communist 'witch-hunts'. A very public feud develops when the Senator responds by accusing the anchor of being a communist. In this climate of fear and reprisal, the CBS crew carries on and their tenacity will prove historic and monumental.

DVD Features:
Audio Commentary:with George Clooney and Grant Heslov
Documentary:Good Night, and Good Luck companion piece
Theatrical Trailer

Without force-feeding its timely message, Good Night, and Good Luck illuminates history to enlighten our present, when the need for a free and independent press is more important than ever. In 90 breathtaking minutes of efficient and intricate storytelling, writer-director George Clooney and cowriter Grant Heslov pay honorable tribute to the journalistic integrity of legendary CBS newscaster Edward R. Murrow,

Director George Clooney
who confronted the virulent and overzealous anti-Communist witch-hunting of Wisconsin Sen. Joseph McCarthy in 1953-54, and emerged as a triumphant truth-seeker against the abuses of corporate and governmental power.

David Strathairn as Edward R. Murrow
As played by David Strathairn, Murrow is a dogged realist, keenly aware of the smear tactics that will be employed against him; Clooney provides crucial backup as Murrow's "See It Now" producer and closest confidante Fred Friendly, forming a fierce but not entirely fearless triumvirate of broadcasting bravery with CBS chief William Paley (Frank Langella), who anxiously champions Murrow's cause under constant threat of rep! risals. While using crisp black-and-white cinematography (by Robert Elswit) to vividly recreate the electrifying atmosphere of the CBS newsroom and the early years of television, Clooney (son of long-time Cincinnati newsman Nick Clooney) proves his directorial skill by juggling big themes and an esteemed ensemble cast, never stooping to simplification of ethically complex material. Good Night, and Good Luck is an instant classic, destined for all the accolades it so richly deserves. --Jeff Shannon

Learn More About Edward R. Murrow and Broadcast Journalism


George Clooney's Recommended Reading

G! eorge Clooney's Recommended Movies

The Edward R. Murrow Collection


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