Fat Pizza (Uncut) [ NON-USA FORMAT, PAL, Reg.4 Import - Australia ]

• THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER

Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Deleted Scenes, Featurette, Interactive Menu, Production Notes, Scene Access, Short Film, Uncut, SYNOPSIS: Australian director Paul Fenech leaves virtually no topic of Australian interest unsatirized in his scatologically-laden 2003 gross-out comedy, Fat Pizza. Pizza delivery guys Pauly (Fenech), Sleek (Paul Nakad), and Davo (Jabba) all go about their daily business while getting caught up in a series of misadventures. Pauly manages to get into fights with a rival fast food outlet's mascot while incurring the wrath of a gang of midgets miffed about his usage! of a handicapped stall in a restroom. Sleek is a Lebanese rapper who simultaneously hides from the various women he's slighted and from racist cops who are just interested in roughing him up for being Middle Eastern. New delivery man Davo's mission is much simpler: he's a druggie in search of a new high. Meanwhile, their violent boss Bobo Gigliotti (Johnny Boxer) attempts to divert the brow-beating he regularly gets from his mother due to his being a middle-aged virgin and signs up for a mail-order bride from Vietnam. Based on an Australian television series of the same name, Fat Pizza premiered in Australia in 2003 with decidedly mixed reviews.Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Deleted Scenes, Featurette, Interactive Menu, ! Production Notes, Scene Access, Short Film, Uncut, SYNOPSI! S: Austr alian director Paul Fenech leaves virtually no topic of Australian interest unsatirized in his scatologically-laden 2003 gross-out comedy, Fat Pizza. Pizza delivery guys Pauly (Fenech), Sleek (Paul Nakad), and Davo (Jabba) all go about their daily business while getting caught up in a series of misadventures. Pauly manages to get into fights with a rival fast food outlet's mascot while incurring the wrath of a gang of midgets miffed about his usage of a handicapped stall in a restroom. Sleek is a Lebanese rapper who simultaneously hides from the various women he's slighted and from racist cops who are just interested in roughing him up for being Middle Eastern. New delivery man Davo's mission is much simpler: he's a druggie in search of a new high. Meanwhile, their violent boss Bobo Gigliotti (Johnny Boxer) attempts to divert the brow-beating he regularly gets from his mother due to his being a middle-aged virgin and signs up for a mail-order bride from Vietnam. Based on an ! Australian television series of the same name, Fat Pizza premiered in Australia in 2003 with decidedly mixed reviews.

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Iron Man 2 Poster Movie C Double Sided 11x17 Robert Downey Jr Scarlett Johansson Kate Mara

• 11 x 17 Inches - 28cm x 44cm
• Double Sided - Reverse Image On Other Side of Poster
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• Iron Man 2 Double Sided Poster

2009 collaboration between the singer/songwriter and actress/vocalist. Includes eight original compositions by Pete/Scarlett in the spirit of Serge Gainsbourg's recording with Brigitte Bardot. The album re-enacts the tempestuous course of a love affair on the rocks. The album had its genesis in the aftermath of a breakup in 2006. After Yorn was unable to sleep for a week, he finally dozed off, only to wake with a start just minutes later. What had awakened him was a dream. "I sat up in bed, and the wh! ole thing was in my head, fully formed," Yorn says, sounding as if he still doesn't quite believe it. "I suddenly felt like I really needed to make a record in the style of Serge Gainsbourg and Brigitte Bardot. Not that it had to sound like that, but it had to be a guy-and-girl conceptual thing. So then I asked myself, 'Who's Brigitte Bardot today? It's Scarlett Johansson.'" Featuring an interpretation of the classic 'I Am the Cosmos' by the late Chris Bell co-founder of Big Star.GIRL WITH A PEARL EARRING (2003): Seventeen-year-old Griet must work to support her family and becomes a maid in the house of Johannes Vermeer, where she gradually attracts the master painter's attention. Johannes and Griet must hide their inspiration of each other from his vo latile wife Catharina. The wealthy and troublemaking Master van Ruijven senses the intimacy between the artist and his maid and cont rives a commission for Vermeer to paint Griet alone. The result will be one of the greatest ! paintings ever created, but at what cost? A GOOD WOMAN (2006):! A notor ious seductress enters a gossipy society and entices the husband of a faithful young woman, delighting the gossips and prompt ing a series of unexpected consequences. AN AMERICAN RHAPSODY (2001): Nastassja Kinski and Tony Goldwyn star as a hungarian couple persecuted by an oppresive Communist government. Forced to flee their country, the leave their baby girl with Hungarian foster parents. Several years later, the girl, Suzanne Scarlett Johansson), reunited with her mother and father in California. But as Suzanne gros, so do the questions about her mysterious past and heritage, as she embarks on an unforgettable journey of self-discovery.Recorded at Dockside Studio in Louisiana’s Cajun country, Scarlett Johansson’s debut album Anywhere I Lay My Head features her distinctive vocal interpretations of ten songs by legendary singer-songwriter Tom Waits. It also introduces one original track, "Song For Jo," which she co-wrote with David Andrew Sitek (TV on the Radio), ! who produced the album and lent his instrumental skills throughout. The title track comes from Waits’ 1985 opus Rain Dogs, and Johansson’s set also pulls cuts from Alice, Swordfishtrombones, Big Time, Orphans: Brawlers, Bawlers & Bastards, Real Gone, Small Change and Bone Machine. David Bowie adds backing vocals on two tracks, "Falling Down" and "Fannin Street," and the disc also features the talents of Yeah Yeah Yeahs guitarist Nick Zinner and multi-instrumentalist Sean Antanaitis from Celebration, among others.

On an album of Tom Waits covers one should rightly expect some derelict bravado and gruff to make it a credible cover album. But when the vocals are delivered by the divine Scarlett Johansson, you’re already treading in different waters. Add music which offers deeply layered and evocative soundscapes from a deft lineup of musicians that includes members of Yeah, Yeah, Yeahs, TV on the Radio, and a guest appearance by David Bowie, and you’ve got something ! altogether different than one would expect on a Tom Waits cove! r album.

Fans of the old storyteller won’t recognize some of these versions. Instead, at least on a few notable tracks, fans of bands like Cocteau Twins, This Mortal Coil,and Dead Can Dance will recognize derivative and signature sounds from these mainstays of the venerable bands from the 4AD music label. On this her first musical venture aware from the big screen, Scarlett approaches the art of music by re-envisioning Tom’s old songs with both purpose and pensive respect for the artist she covers.

--Lucas Hilbert

On the day Academy Award-nominated actress Scarlett Johansson was born, Tom Waits was holed up in an L.A. studio knocking off the final gin-soaked lines of Rain Dogs, his near-perfect album of 1985. That Johansson’s cool enough to be a fan of Waits’ character-driven songs and distinct rasp is one thing; choosing to cover 10 of his songs for her first album (and naming it after the lone Rain Dogs ! selection) could be downright precarious. Expect the robust voice that is her big-screen reputation, which, after the kick-off instrumental “Fawn” (Alice, 2002), makes its debut on Town With No Cheer (Swordfish Trombones, 1983). Backed by a Waits-like orchestra of pump organ, vibes, horns and wind chimes, Johansson pulls off her best performances on the songs that beg for her persona. She makes “Big Time” (Big Time, 1988) and “I Wish I Was In New Orleans” (Small Change, 1976) sound like her own, finding irony in the respective lines “Come from St. Petersburg, Scarlett and me” and “By the whiskers on my chin, New Orleans! , I’ll be there.” The latter, led merely by a music box, i! s the re cord’s finest, leaving a Waits fan to wonder what Johansson could do with “Tango Til They’re Sore” or “The Piano Has Been Drinking.” Trouble arises when arrangements are alteredâ€"“I Don’t Want To Grow Up” sounds like Blondie, circa 1981”â€"but, all in all, it’s a nice effort. --Scott HolterLincoln six-echo is a resident of a seemingly utopian but contained facility in the mid-21st century. Lincoln soon discovers that his existence is a lie. He makes a daring escape with fellow resident jordan two-delta & they engage in a race for their lives. Studio: Paramount Home Video Release Date: 08/21/2007 Starring: Ewan Mcgregor Sean Bean Run time: 136 minutes Rating: Pg13When you add up all the best things about The Island, you might just conclude that there's hope yet for Hollywood's most critically reviled hit-maker, Michael Bay. Re! cruited by Steven Spielberg to direct this lavish and often breathtaking sci-fi action thriller, Bay rises to the occasion with an ambitious production that is, by his standards (and compared to Bay's earlier hits like The Rock and Armageddon), surprisingly intelligent as it explores the repercussions of cloning in a sealed-off society where humans are cultivated for spare parts, surrogate parenthood, and full-body replacements for wealthy clientele. But when two of the clones (Ewan McGregor, Scarlett Johanssen) begin to question their fate and the motives of their keepers, they escape into the real world and The Island becomes just another Michael Bay action extravaganza, albeit an impressively exciting one. With elaborate chase scenes and a high-tech feast of CGI to dazzle the eye, The Island recycles much of the plot from 1979's Clonus while borrowing elements from Logan's Run, Gattaca and Minority Report, and while! it's not as smartly conceived as those earlier films, there's! no deny ing that, in many ways, it's Bay's best film to date. --Jeff ShannonMatch Point is "a winning combination of sex, mystery, brilliant writing and first-rate acting that all adds up to one of the most erotic and exhilarating movies in years." (Maxim). Chris (Jonathan Rhys Meyers) is being torn apart by his desire for two very different women. Marrying Chloe (Emily Mortimer) will bring him a life of wealth and success, but his true passion lies with his brother-in-law's fiancee, the stunningly sensuous but unpredictable Nola (Scarlett Johansson). Pulsing with tension, Match Point rides the dangerous line between ambition and obsession to an ending as surprising as it is chilling.The passion of mad love and the cold calculations of social climbing collide in Woody Allen's Match Point. Former tennis pro Chris Wilton (Jonathan Rhys-Meyers, Velvet Goldmine) stumbles into good fortune when Chloe Hewett (Emily Mortimer, Lovely & Amazing), the daughter of ! a wealthy businessman, falls in love with him. But when Chris meets Nola Rice (Scarlett Johansson, Lost in Translation), a much deeper passion is stirred--and his desire isn't deterred when he discovers that Nola is already dating Chloe's brother. But when their affair threatens Chris's increasingly cozy lifestyle, Chris begins to consider a drastic solution. Match Point starts deftly and ends with cunning; though the middle bogs down in banal plot mechanics, Woody Allen fans have justly hailed it as a comeback after Allen's last few cinematic stumbles. Despite weaknesses (Allen still seems to have lost touch with the mundane realities of life; his characters operate in a strange, weightless world of wealth and privilege), the strong performances and clean direction carry the movie through. Also featuring Brian Cox (X-Men 2, Adaptation). --Bret FetzerBorn out of the deep sleep that can only follow weeks of insomnia, Pete Yorn awoke to find! BREAK UP, and its concept of two lovers vocalizing their rela! tionship , fully formed in his head. Taking inspiration from Serge Gainsbourg's collaborations with Brigitte Bardot, Yorn and Scarlett Johansson headed to the studio, with Sunny Levine in the production booth and Yorn and Max Goldblatt serving as executive producers. The album also features contributions from guitarist Robert Francis, bassist Giuseppe Patane, violinist Amir Yaghmai, with Goldblatt on banjo, synth bass and backing vocals, and Levine handling programming and mixing. Comprised of eight songs written and arranged by Yorn and one cover, BREAK UP embarks on a musical journey that covers all bases from lovers lost in gravelly exit song "Someday" to lovers scorned in the questioning "Search Your Heart." Johansson's raspy voice lends a retro feel to the poppy opening track "Relator," playfully complementing Yorn's choruses and setting the tone for the rest of the album's side-by-side vocals. Standout tracks include banjo-driven "Wear And Tear," reminiscent of Pete's early sol! o efforts, the big band-esque "I Don't Know What To Do," and a shimmering interpretation of the art-rock class "I Am The Cosmos" by the late Chris Bell, co-founder of quintessential cult band Big Star.Iron Man 2 Reproduction Poster Print Double Sided 11 x 17 Inches - 28cm x 44cm

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